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< >有一首打油诗形象地勾画出了惠东女传统服装的特征:<FONT face="Times New Roman">“</FONT>封建头,民主肚,节约衣,浪费裤。<FONT face="Times New Roman">”</FONT>惠安女的头部被头笠和头巾包裹得仅露出一张脸<FONT face="Times New Roman">——“</FONT>封建<FONT face="Times New Roman">”</FONT>;而腰、腹部却暴露无遗<FONT face="Times New Roman">——“</FONT>民主<FONT face="Times New Roman">”</FONT>。大筒裤的裤脚宽达<st1:chmetcnv w:st="on" UnitName="米" SourceValue=".4" HasSpace="False" Negative="False" NumberType="1" TCSC="0"><FONT face="Times New Roman">0.4</FONT>米</st1:chmetcnv><FONT face="Times New Roman">——“</FONT>浪费<FONT face="Times New Roman">”</FONT>;而上衣却短得连肚脐也遮不住<FONT face="Times New Roman">——“</FONT>节约<FONT face="Times New Roman">”</FONT>。于是,所谓思想的<FONT face="Times New Roman">“</FONT>封建<FONT face="Times New Roman">”</FONT>与<FONT face="Times New Roman">“</FONT>民主<FONT face="Times New Roman">”</FONT>,衣料的<FONT face="Times New Roman">“</FONT>节约<FONT face="Times New Roman">”</FONT>与<FONT face="Times New Roman">“</FONT>浪费<FONT face="Times New Roman">”</FONT>,在惠东女的身上有机地结合在一起,表达了一种内涵丰富、既矛盾又统一和谐的审美观。</P>
<P >如今,<FONT face="Times New Roman">35</FONT>岁以下的惠安女已经几乎不穿传统服饰。</P>